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Genre picture
Moller Fyodor
Christ Carrying the Cross
1869
Oil on canvas. 108.5 x 141 cm
Russian Museum
#4 2012 (37)
19763
Moller Fyodor
Kiss
1839
Oval in rectangular
Oil on canvas. 59 x 65 cm
Russian Museum
#4 2012 (37)
19767
Moller Fyodor
Kiss
1839
Author’s copy of the painting, rectangular
Oil on canvas. 58 x 64.5 cm
Tretyakov Gallery
#4 2012 (37)
19768
Monti Francesco
A Cavalry Skirmish
18th cent.
The painting disappeared from the Gatchina Palace Museum during World War II. It was discovered in Berlin and returned on 27 April 2005
Гатчинский дворец-музей
#3 2007 (16)
19795
Moore Albert Joseph
Jasmine
1880
Оil on canvas. 66.6×50.1 cm
#2 2008 (19), #2 2016 (51)
19906
Moore Albert Joseph
A Revery
c. 1892
Oil on canvas. 116.5×74.3 cm
#2 2008 (19), #2 2016 (51)
19907
Moore Henry
Study for “Tube Shelter Perspective: The Liverpool Street Extension”
1940-1941
Pencil, wax crayon, coloured crayon, watercolour, wash, pen and ink on paper
20.4 × 16.5 cm
Photograph by Henry Moore Archive
Reproduced by permission of the Henry Moore Foundation
© The Henry Moore Foundation, gift of Irina Moore, 1977
#1 2020 (66)
27579
Moore Henry
Study for “Mother and Child among Underground Sleepers”
1940-1941
Pencil, wax crayon, coloured crayon, watercolour, wash, pen and ink, conté crayon on cream lightweight paper
20.4 × 16.5 cm
© The Henry Moore Foundation, gift of Irina Moore, 1977
#1 2020 (66)
27581
Moore Henry
Women and Children in the Tube
1940
Gouache, ink, watercolour and chalk on paper
27.9 × 38.1 cm
Presented by the War Artists Advisory Committee, 1946
© Imperial War Museum, London
#1 2020 (66)
27583
Moore Henry
Woman Seated in the Underground
1941
Gouache, ink, watercolour and crayon on paper
48.3 × 38.1 cm
Presented by the War Artists Advisory Committee, 1946
© Tate Gallery, London
#1 2020 (66)
27585
Moore Henry
Grey Tube Shelter
1940
Watercolour, gouache, ink and chalk on paper
27.9 × 38.1 cm
Presented by the War Artists Advisory Committee, 1946
© Tate Gallery, London
#1 2020 (66)
27587
Moore Henry
Eighteen Ideas for War Drawings
1940
Pencil, wax crayon, coloured crayon, watercolour wash, pen and ink on cream medium-weight wove paper
27.4 × 37.6 cm
Photograph: The Henry Moore Foundation archive
Signature: pen and ink l.r. Moore/40.
Inscription: pencil u.l. searchlights; u.c. Flashes from ground; gunshells bursting like stars; u.r. Night & day - contrast; u.c.l. devastated houses; bomb crater; u.c.r. contrast of opposites; contrast of peaceful normal with sudden devastation; c.l. disintegration of farm machine; fire at night; c. Haystack & airplane; Nightmare; c.r. contrast of opposites; Burning cows; l.c.l. spotters on buildings; barbed wire; l.c.r. Cows & Bombers; Bombs bursting at sea
© The Henry Moore Foundation, gift of the artist, 1977
#1 2020 (66)
27589
Moore Henry
Shelterers in the Tube
1941
Graphite, ink, watercolour and crayon on paper
38 × 56.8 cm
Presented by the War Artists Advisory Committee, 1946
© Tate Gallery, London
#1 2020 (66)
27591
Moore Henry
Shelterers in the Tube
1941
Graphite, ink, watercolour and crayon on paper
38 × 56.8 cm
Presented by the War Artists Advisory Committee, 1946
© Tate Gallery, London
#1 2020 (66)
27593
Moore Henry
Shelter Scene: Bunks and Sleepers
1941
Watercolour, gouache, ink and chalk on paper
48.3 × 43.2 cm
Presented by the War Artists Advisory Committee, 1946
© Tate Gallery, London
#1 2020 (66)
27595
Moore Henry
Pink and Green Sleepers
1941
Graphite, ink, gouache and wax on paper
38.1 × 55.9 cm
Presented by the War Artists Advisory Committee, 1946
© Tate Gallery, London
#1 2020 (66)
27597
Moore Henry
A Tilbury Shelter Scene
1941
Ink, watercolour, crayon and gouache on paper
41.9 × 38.1 cm
Presented by the War Artists Advisory Committee, 1946
© Tate Gallery, London
#1 2020 (66)
27599
Moore Henry
Tube Shelter Perspective
1941
Graphite, ink, wax and watercolour on paper
48.3 × 43.8 cm
Presented by the War Artists Advisory Committee, 1946
© Tate Gallery, London
#1 2020 (66)
27601
Moore Henry
London Skyline
1940-1941
Pencil, wax crayon, coloured crayon, watercolour, wash, pen and ink on cream lightweight wove paper
18.1 × 16 cm
Bequeathed by Lady Clark
© The British Museum, London
#1 2020 (66)
27603
Moore Henry
Pit Boys at Pithead
1942
Pencil, wax crayon, coloured crayon, watercolour, wash, pen and ink on paper
33.7 × 54.6 cm
Presented by the War Artists' Advisory Committee, 1947
© Hepworth Wakefield (Wakefield City Art Gallery)
#1 2020 (66)
27605
Moore Henry
Miners Waiting to Go into Cage
1942
Pencil, wax crayoncoloured crayon, watercolour, wash, pen and ink on paper
Photograph: Michel Muller
Reproduced by permission of the Henry Moore Foundation
© The Henry Moore Foundation
#1 2020 (66)
27607
Morelli Domenico
Count Lara
1861
Oil on canvas
74 × 98 cm
© Galleria Nazionale d’Arte Moderna, Rome
#3 2019 (64)
26133
Morelli Domenico
The Baths of Pompeii
1861
Oil on canvas
134 × 102.5 cm
Photograph: Mauro Ranzani. Milan
© Balzan Collection, Badia Polesine (Italy)
#3 2019 (64)
26135
Morelli Domenico
Torquato Tasso Reading Jerusalem Delivered to Eleonora d’Este
1865
Oil on canvas
185 × 266 cm
© Galleria Nazionale d’Arte Moderna, Rome
#3 2019 (64)
26142
Morozov Alexander
People Coming Out of Church in Pskov
1864
Oil on canvas. 70 by 89 cm
Tretyakov Gallery
#2 2006 (11)
19819
Moseichuk Anatoly
Infatuated
2006
Oil on canvas. 60 × 46 cm
#3 2016 (52)
19823
Moseichuk Anatoly
Offering to a Cloud
2009
Oil on canvas. 145 × 164.5 cm
#3 2016 (52), #2 2020 (67)
Alexander Lavrentiev, Kirill Gavrilin
19826
Moseichuk Anatoly
A Story from a Film Script
2008
Oil on canvas. 134 × 169 cm
#3 2016 (52)
19827
Mukhina Yelena
Seated Nude
2006
Oil on canvas
#4 2008 (21)
19924
Müller Johann Friedrich Wilhelm
The Sistine Madonna
Drypoint engraving
88.3 × 67.3 cm
© Kupferstich-Kabinett, Dresden
#1 2020 (66)
27632
Munch Edvard
Woman in Three Stages (The Sphinx)
1894
Bergen Art Museum
#2 2013 (39), Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES
19873
Munch Edvard
The Dance of Life
1925
Oil on canvas. 126 × 190.5 cm
(First version 1899-1900)
The Munch Museum
#2 2013 (39), Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES
19874
Munch Edvard
Eye in Eye
1899-1900
Oil on canvas. 163 × 110 cm
The Munch Museum
#2 2013 (39), Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES
19882
Munch Edvard
The Sick Child
1896
Oil on canvas. 117 × 116 cm
Gothenburg Art Museum
#2 2013 (39), Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES
19883
Munch Edvard
Awakening Men in Lightstream
1914-1916
Oil on canvas. 455 × 305 cm
University of Oslo, The Aula
Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES
19884
Munch Edvard
Genii in Lightstream
1914-1916
Oil on canvas. 450 × 305 cm
University of Oslo, The Aula
Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES
19885
Munch Edvard
Sun and Awakening Nude Men
1910-1911
Oil on canvas. 70 × 116 cm
The Munch Museum, Oslo
Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES
19886
Munch Edvard
Women Turned Towards the Sun
1914-1916
Oil on canvas. 455 × 165 cm
University of Oslo, The Aula
Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES
19888
Munch Edvard
Men Turned Towards the Sun
1914-1916
Oil on canvas. 455 × 165 cm
University of Oslo, The Aula
Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES
19889
Munch Edvard
History
1911/1914-1916
Oil on canvas. 455 × 1160 cm
University of Oslo, The Aula
Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES
19891
Munch Edvard
New Rays
1914-1916
Oil on canvas. 455 × 225 cm
University of Oslo, The Aula
Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES
19892
Munch Edvard
Chemistry
1914-1916
Oil on canvas. 455 × 225 cm
University of Oslo, The Aula
Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES
19893
Munch Edvard
Alma mater
1915-1916
Oil on canvas. 455 × 1160 cm
University of Oslo, The Aula
Special issue. NORWAY–RUSSIA: ON THE CROSSROADS OF CULTURES
19894



















































